Tag Archives: Best Sound Editing

2018 Oscar Predictions

The Oscars are finally here. The competition truly started over a year ago in January 2017, when Call Me by Your NameGet Out and Mudbound premiered at the Sundance Film Festival. So to say that it’s been a long road to this day is an understatement (especially because the Academy felt like dragging it on even longer than usual by pushing back the broadcast into March).

One of the most exciting periods, though, is that roughly month and a half between Oscar nominations and the Oscar broadcast, as other areas of the awards season play out and hint — sometimes aggressively, sometimes incredibly ambiguously — at how Oscar night might go.

Tracking the awards season and predicting the Academy Awards is almost a science. But last year, when Moonlight stunned with a Best Picture win, that science proved more vulnerable than we had thought.

This year, it’s all up in the air. While precursors might suggest something, nothing is truly set in stone until a name or a film is called (and even then, we have to double check).

This year, predicting the nominations is a bit more complicated. We have to be smart and still know when there’s an obvious winner, but we also have to think far outside the box for categories that are even remotely fragile — especially Best Picture.

So, without further ado, here are our Oscar predictions for the 90th Academy Awards:

Best Motion Picture

Best Lead Actor

Best Lead Actress

Best Supporting Actor

Best Supporting Actress

Best Director

Best Original Screenplay

Best Adapted Screenplay

Best Animated Feature

Best Production Design

Best Cinematography

Best Costume Design

Best Film Editing

Best Makeup & Hairstyling

Best Sound Mixing

Best Sound Editing

Best Visual Effects

Best Original Score

Best Foreign Language Film

Best Documentary Feature

Best Original Song

The Shorts

 

Featured image via Universal Pictures.

2018 Oscar Predictions: Best Sound Editing

“Sound editing” is a term not widely understood by the general public. Basically, it is the creation of sounds for a film. The noise of a blaster or a tie fighter in a Star Wars film? That’s sound editing. The explosions of bombs in war films? That’s sound editing.

There aren’t a whole lot of precursors for this award, as BAFTA’s Best Sound category points more toward Best Sound Mixing than it does toward this one.

There is the award handed out by the Motion Picture Sound Editors group. The group opted for Blade Runner 2049, so a pick there would have a decent amount of reason to back it up.

But Dunkirk does seem to still have a lead here regardless. War films are popular in this category, with American SniperZero Dark Thirty and The Hurt Locker all winning here in the last decade. In addition, BAFTA has ended up predicting this category and not Best Sound Mixing before; in fact, that happened just last year when Arrival took home the BAFTA and went on to win here. So Dunkirk‘s BAFTA win certainly does hold weight.

Finally, one of the biggest aspects of Dunkirk that audience’s unanimously rave about is its sound, it being more intense and overwhelming than most films in the genre. The film will likely take the other sound category, and if any film were to take both — the sounds are split a decent amount of the time — it would be Nolan’s.

The Nominees
Richard King, Alex Gibson — Dunkirk
Mark Mangini, Theo Green — Blade Runner 2049
Ren Klyce, Matthew Wood — Star Wars: The Last Jedi
Julian Slater — Baby Driver
Nathan Robitaille, Nelson Ferreira — The Shape of Water 

Will win: Dunkirk
Could win: Blade Runner 2049
Should win: Dunkirk
Should’ve been nominated: War for the Planet of the Apes

 

Featured image via Warner Bros.