Tag Archives: The Weinstein Company

Benedict Cumberbatch and Michael Shannon do battle in first trailer for ‘The Current War’

Sparks fly in the first trailer for director Alfonso Gómez-Rejón’s The Current War, which stars Benedict Cumberbatch as Thomas Edison and Michael Shannon as George Westinghouse. The trailer promises a battle royale between Edison and Westinghouse, as they compete for dominance in the burgeoning electric power industry. Edison was a proponent for direct current, while Westinghouse pushed for alternating current, and their inevitable clash seems ripe for powerhouse performances from Cumberbatch and Shannon.

Also appearing in the trailer are Tom Holland as Edison’s collaborator Samuel Insull and Katherine Waterston as Marguerite Westinghouse. Additionally, Nicholas Hoult makes an appearance as Nikola Tesla, who was arguably the top mind to emerge from the titular war. Tesla was previously played by the enigmatic David Bowie in Christopher Nolan’s The Prestige. Bowie’s performance was a highlight of that film, so it will be interesting to see Hoult’s take on the scientific genius.

The real star of the trailer though, is definitely Alfonso Gómez-Rejón. The Current War is Gómez-Rejón’s follow up to 2015’s Me and Earl and the Dying Girl, which was a film that demonstrated his keen eye for dynamic visuals. Within a few seconds, the trailer for The Current War promises some stunning cinematography, revealing a shot of Edison standing amid a field of lightbulbs. Later in the trailer, we see a time-lapse scene, an unconventional storytelling choice for a period piece, which feels like a callback to the quirky stop motion interludes in Me and Earl and the Dying Girl.

Benedict Cumberbatch can be be seen later this year in Thor: Ragnarok as Dr. Strange, while Michael Shannon will appear in Guillermo del Toro’s The Shape of Water. The Current War was produced by the Weinstein Company, and the film will premiere at the Toronto International Film Festival. The film’s theatrical release date is set for November 24.

Featured image via the Weinstein Company

Box Office Report: As summer closes, box office reaches historic low with top earner merely making $10 million

Box Office Report for the weekend of August 25 to August 27:

As the summer closes with its last weekend, the box office has reached the year’s lowest point and, as reported by Box Office Mojo, the worst weekend in about 16 years.

The Ryan Reynolds/Samuel L. Jackson-starring The Hitman’s Bodyguard took home the top spot with an estimated $10.05 million, bringing up its domestic total to approximately $39.61 million. The film’s reported budget is $30 million, meaning that, despite it’s mostly negative reception as it sits at 39% on RottenTomatoes after 143 reviews, it will almost certainly make its money back, and then some. The weekend gross of The Hitman’s Bodyguard, however, is the lowest earning top spot of the year. One would have to go all the way back to the weekend of February 3-5, when M. Night Shyamalan’s Split made $14.42 million, to come close to a worse #1 earner. Some say that the film’s finalized weekend number — its ‘actuals’ — will dip, meaning that it could even sink below $10 million.

Annabelle: Creation placed second with an estimated $7.35 million. Taking place within the Conjuring franchise, which itself has crossed $1 billion, the film should cross $100 million domestically within the coming weeks (it currently sits at $77.88 million). With a budget of $15 million, the horror prequel will be, relatively, one of the year’s most profitable films.

New releases, though, proved incredibly unappealing, with the animated film Leap! being one of only two to break the top ten. The Weinstein Company acquisition, which premiered internationally last year, made only $5.01 million domestically.

Wind River, which performed well during a limited release, expanded to over 2,000 theaters, and took home an estimated $4.41 million at the domestic box office. The indie, coming from Sicario and Hell or High Water screenwriter Taylor Sheridan, features what many critics are calling Jeremy Renner’s best performance.

Christopher Nolan’s Dunkirk stuck around in the top ten after its 6th weekend in theaters, raking in another $3.95 million to claim the 6th spot. At this point, the World War II epic has yet to fall more than 47% from weekend to weekend, and never more than 41% after its second weekend, showing that it has strong legs. With a domestic total currently sitting at $172 million, the film will soon beat The Boss BabyGet Out and The LEGO Batman Movie to become the highest domestic grossing film that is not a sequel or a franchise vehicle — an accomplishment that Nolan is incredibly familiar with.

After Spider-Man: HomecomingThe Emoji Movie and new release Birth of the DragonGirls Trip, like Dunkirk, finds itself in the top ten after its 6th weekend, making an estimated $2.26 million domestically. The all-Black, all-female comedy recently crossed $100 million domestically.

Finally, in a bid for the 5th spot on the “highest domestic grossing superhero films” list, which is currently held by Iron Man 3 at $409.01 million, Wonder Woman added 1,407 theaters, expanding to a total of 2,210. The DC Extended Universe picture took home $1.68 million, bringing its domestic total to $406.2 million. It should claim that 5th spot in due time, putting it behind only The Dark Knight RisesAvengers: Age of UltronThe Dark Knight and Marvel’s The Avengers respectively.

The following weekend may be even more abysmal, with very few new releases that could make any notable dent. Unless Tulip Fever somehow strikes a chord with audiences, next weekend’s top earner may be well under $10 million.

The one after that, however, will see the release of It, which Variety reports could make about $50 million domestically its opening weekend, according to early box office tracking. With Jennifer Lawrence’s mother!, Kingsman: The Golden CircleThe LEGO Ninjago Movie and Tom Cruise’s American Made coming in the weeks following, the fall season will hopefully reinvigorate the box office.

*All weekend numbers are domestic, meaning that they’re from theaters in the U.S. and Canada, and are also estimates, reported by Box Office Mojo, with actuals coming out in the next few days.*