Tag Archives: Marvel

Box Office Report: In only 37 theaters, ‘Lady Bird’ flies into the top 10

While there are nine films that earned more than it, Lady Bird is, undoubtedly, the story of the week. In only 37 theaters — 826 less than any other in the top 10 — writer-director Greta Gerwig’s film, starring Saoirse Ronan, averaged $33,766 for a total of $1.249 million. After a 2017 record per-theater-average the weekend prior, Gerwig’s picture now stands at $1.781 million and will only continue to make money. Audiences know Gerwig from brilliant films such as 20th Century WomenJackieFrances Ha and Mistress America; combine that with wonderful marketing by A24, and it looks like they’ve got the perfect storm. It already has the critical acclaim, still at 100% on RottenTomatoes after 115 reviews, and now the financial success that could push it to not only contend, but possibly win big during the awards season.

In first place, expectedly, was Thor: Ragnarok. Marvel’s third Thor film took home an estimated $56.6 million to put it at $211.5 million domestically and $650 million worldwide — already past Thor and Thor: The Dark World in only its second weekend. The film will take a hit this upcoming weekend with the release of Justice League, but it should easily cross $800 million.

The comedy sequel Daddy’s Home 2 made an estimated $30 million for the second spot. The opening is $8 million less than the original, but still a solid start that should set the film on a path toward profitability. It seems as though Mel Gibson is all but forgiven in Hollywood.

Behind that was Kenneth Branagh’s Murder on the Orient Express with an estimated $28.2 million. The Agatha Christie adaptation was produced for $55 million and, with $57+ million so far overseas for a total of $85.4 million, the film will look to make its money back in due time.

In other limited release news, Oscar contender Three Billboards Outside of Ebbing, Missouri earned a per-theater-average of $80,000 in four theaters, close to Lady Bird last. As the Oscar players continue to release, we should be seeing similar performances — but next weekend will be dominated by Justice League.

*All weekend numbers are domestic, meaning that they’re from theaters in the US and Canada, and are also estimates, reported by Box Office Mojo, with actuals coming out in the next few days.*

 

Featured image via A24.

Box Office Report: ‘Thor: Ragnarok’ hammers home fourth largest debut of 2017

After a few slow weekends, the box office has been reinvigorated by the God of Thunder. The Taika Waititi-directed, Chris Hemsworth-starring Thor: Ragnarok took home an estimated $122.744 million in its opening weekend, which is the 4th largest debut of 2017 and the 7th largest of the MCU. The film has already made over $430 million worldwide, which means, on a budget of $180 million, the film is already and will continue to be a massive financial success. The first two Thor films ended, respectively, at $181 and $206 million domestically — numbers that Ragnarok will far surpass.

In second, and over $100 million less than first place, was A Bad Moms Christmas, with an estimated $17.03 million. The film actually opened on Wednesday, and it’s total since opening is $21.55 million. On a budget of $28 million and riding the success of the first Bad Moms film, this second in the series — strangely released over a month before Christmas — will still likely make its money back despite the rather poor critical standing of 31% on RottenTomatoes.

Spots three through nine remain in the same order as the previous weekend — JigsawBoo 2!GeostormHappy Death DayBlade Runner 2049Thank You for Your Service and Only the Brave.

While most other box office stories don’t say much that already hasn’t been said, Greta Gerwig’s Lady Bird soared onto the scene with a 2017 box office record. While Lady Bird only opened in four theaters across the country, the film made a per-theater-average of $93k, which is 2017’s best, beating The Big Sick‘s 5 theater-$84k PTA. As the film continues to expand — it goes wide over the Thanksgiving holiday — it’s likely that it will find similar financial success as Kumail Nanjiani’s romantic comedy, which could then fuel the momentum behind the film as a serious awards contender.

*All weekend numbers are domestic, meaning that they’re from theaters in the US and Canada, and are also estimates, reported by Box Office Mojo, with actuals coming out in the next few days.*

 

Featured image via Marvel.

Colin Trevorrow departs from ‘Star Wars: Episode IX’

When The Book of Henry released to intense critical derision and faired rather poorly at the box office, many pundits and fans questioned whether Colin Trevorrow, who also directed Jurassic World and Safety Not Guaranteed, was the right choice to helm the final installment of the brand new Star Wars trilogy. Well, today, announced through an official statement on StarWars.com, Colin Trevorrow and Lucasfilm have officially parted ways.

The statement reads:

“Lucasfilm and Colin Trevorrow have mutually chosen to part ways on Star Wars: Episode IX. Colin has been a wonderful collaborator throughout the development process but we have all come to the conclusion that our visions for the project differ. We wish Colin the best and will be sharing more information about the film soon.”

Directors have been a particular problem for Disney, Lucasfilm and Lucasfilm president Kathleen Kennedy, or perhaps vice versa. While Gareth Edwards retained sole directing credits, Rogue One: A Star Wars Story underwent massive reshoots under the guide of director Tony Gilroy. Most recently, earlier this summer, Phil Lord and Christopher Miller were fired from the Han Solo standalone film, starring Alden Ehrenreich and Donald Glover as Solo and Lando Calrissian respectively. That decision cited “creative differences,” as does this one, and soon after, Lucasfilm hired Ron Howard, who is currently directing the remainder of the shoot as well as the scheduled reshoots. Whether or not Lord and Miller will be credited as directors is currently a mystery.

Episode IX recently brought on Jack Thorne, writer of the upcoming Jacob Tremblay, Julia Robert and Owen Wilson film Wonder, to rework the script, which had started with Trevorrow and his writing partner Derek Connolly. Perhaps the shift there points to where the split lies between Trevorrow and Lucasfilm, but the exact reason is yet to be known, and likely never will be.

As the news broke, many critics and journalists jumped to Twitter to suggest names and one popped up repeatedly: Ava DuVernay.

DuVernay’s upcoming film is A Wrinkle in Time, a Disney-produced, $100 million+ budgeted blockbuster, so the connections seem to be there. In addition, in an interview with Nerdist, JJ Abrams touted her as a good fit for the universe while promoting The Force Awakens.

DuVernay was also rumored for Black Panther, of Disney’s other massive sub-studio Marvel. The reported reasons for DuVernay not working on that film were creative differences, so, with Kathleen Kennedy and the other executives/producers at Lucasfilm and Disney seemingly holding strict creative control, the fit might not be so snug.

Star Wars: Episode IX, yet to be titled, is set to release on May 24, 2019, which means that a director must be brought on soon to comfortably stay on schedule. Ron Howard boarded the Han Solo film, which is set to release on May 25, 2018, within days of the announcement of Lord and Miller’s firing, so Lucasfilm might already have another director lined up. The world will get eighth episode Star Wars: The Last Jedi on December 15 of this year.

Featured image via Red Carpet Report and Mingle Media TV.

Evangeline Lilly shares first look at suit in ‘Ant-Man and the Wasp’

In anticipation of 2018’s Ant-Man and the Wasp, actress Evangeline Lilly took to Twitter to share a first look at her character, Hope van Dyne/the Wasp. She also used the occasion to celebrate the 100th birthday of the late, great comic book artist, Jack Kirby, who co-created the Wasp with Stan Lee.

“I am honoured to be on set today playing #TheWasp on what would be Jack Kirby’s 100th birthday,” Lilly wrote. Aside from the Wasp, Kirby was the co-creator of several famous Marvel comic book characters like Ant-Man, Captain America, the Fantastic Four, the X-Men and the Hulk.

Hope van Dyne was last seen in the mid-credits scene of 2015’s Ant-Man, when her father, Hank Pym, revealed a brand new Wasp suit to her. That suit was mostly silver, blue and red. It also sported four wings, lacked sleeves and included a helmet similar to Ant-Man’s. The suit seen in Lilly’s tweet is mostly black, lacks wings but includes sleeves. The picture also does not show the Wasp’s helmet.

Ant-Man director Peyton Reed will return to helm Ant-Man and the Wasp, which is the 20th film in the Marvel Cinematic Universe, and the first film to follow the (presumably catastrophic) events of Avengers: Infinity War.

Also returning is Paul Rudd (Scott Lang/Ant-Man), who co-wrote the screenplay. Michael Douglas (Hank Pym), Michael Peña (Luis) and T.I. (Dave) will be back to flesh out the film’s supporting cast.

The film also added Michelle Pfeiffer (Janet van Dyne), Laurence Fishburne (Dr. Bill Foster), Hannah John-Kamen (Ghost) and Randall Park (Jimmy Woo) to its cast.

Ant-Man and the Wasp is slated for a July 6, 2018, release. To tide our excitement for the return of Ant-Man and the Wasp (sleeves and all), we have Thor: Ragnarok arriving in theaters on November 3, 2017.

Image via Marvel Studios.

Ed Skrein leaves ‘Hellboy’ reboot due to issues of whitewashing

Last week, British actor Ed Skrein, recently of Deadpool, joined the Hellboy reboot currently underway with David Harbour (Stranger Things) set in the lead role and Neil Marshall (The DescentGame of Thrones) in line to direct.

The casting, broke by The Hollywood Reporter, was an example of whitewashing because the character, Major Ben Daimio, is Japanese-American in the source material.

After the casting was announced, Jeff Yang, a CNN contributor and Editor-In-Chief of secretidentities.org, made a popular Twitter thread calling out the whitewashing, not only in Hellboy, but also within Hollywood in general. He offers various Asian actors that could’ve played the role of Daimio.

This year has seen plenty of controversy, of both whitewashing and cultural appropriation, with Ghost in the Shell, Iron Fist and Death Note, the last of which Netflix released this past weekend. Last year, Marvel and Tilda Swinton also encountered whitewashing backlash in regard to Swinton’s character in Dr. Strange.

While those actors stuck with their projects, Skrein is the first to step down from a role with consideration to whitewashing, at least of a major studio project. He made the announcement on Twitter this afternoon.

Skrein states that he was “unaware that the character in the original comics was of mixed Asian heritage” and that, once it had been brought up, he decided to leave the film because of the “worrying tendency to obscure ethnic minority stories and voices in the Arts.” He says: “It is our responsibility to make moral decisions in difficult times and to give voice to inclusivity.”

Lionsgate also released an official statement along with Skrein’s exit, which can be found with The Hollywood Reporter‘s story.

“Ed came to us and felt very strongly about this. We fully support his unselfish decision.  It was not our intent to be insensitive to issues of authenticity and ethnicity, and we will look to recast the part with an actor more consistent with the character in the source material.”

Look below for Skrein’s official statement from Twitter:

Image courtesy of Gage Skidmore.