Tag Archives: Box Office Report

Box Office Report: ‘Maze Runner’ races to the top as ‘Hostiles’ expands

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Maze Runner: The Death Cure, the final installment in the series, opened to an estimated $23.5 million this past weekend to top the box office. The Dylan O’Brien led young adult action franchise has seen great financial success due in large part to the films’ ability to make a dent on a comparably low budget — the first being made for $34 million, the second for $61 million and this one for $62 million. Add in The Death Cure‘s international haul of $82 million, bringing the worldwide total to $105.5 million, and the film is already close to breaking even.

While Jumanji: Welcome to the Jungle was finally unseated, the film still only dropped 15.9%, making another $16.4 million. It has officially passed It and Spider-Man: Homecoming to become the fifth largest domestic grosser released in 2017. It’s approximately $50 million behind Guardians of the Galaxy Vol. 2. Having released in most international markets, it will likely fall just short.

Coming in third with an estimated $10.205 million was Hostiles, which expanded wide this past weekend after opening in limited release on December 22. The film reportedly had a budget of $39 million, meaning that it will have to climb to approximately $80 million to break even. While Christian Bale and crew were among those vying for Oscar nominations, the film fell short, perhaps due to a late October purchase by brand new distribution company Entertainment Studios — an unfortunate result as Bale’s performance is one of his best.

The Greatest Showman will just not quit, taking home $9.5 million for fourth place and a domestic total of $126.475 million. With two more solid weekends, the film should pass Transformers: The Last Knight, Wonder and Split on the 2017 domestic chart.

Finally, the recent Oscar nominees have faired well. The Post earned an estimated $8.85 million to bring its worldwide total to $83.035 million. It will certainly break even off of its $50 million budget. The Shape of Water added 1,001 theaters, making $5.7 million to bring its worldwide total to $51.581 million. The Guillermo del Toro film was made for an astonishing $19.5 million, meaning that it’s veering into profit territory now.

*All weekend numbers are domestic, meaning that they’re from theaters in the US and Canada, and are also estimates, reported by Box Office Mojo, with actuals coming out in the next few days.*

 

Featured image via 20th Century Fox.

Box Office Report: ‘Jumanji’ is rock solid as ’12 Strong’ opens strong

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Here we are again, with Jumanji: Welcome to the Jungle atop the box office. This weekend, its fifth, it pulled in an estimated $20.04 million, which is an astonishingly small 28.7% drop-off from the previous weekend. Its domestic total stands at $316.985 million and needs just under $18 million more to beat both It and Spider-Man: Homecoming to become the fifth largest domestic grosser released in 2017. The film has truly struck gold.

In second and third are two new releases, 12 Strong and Den of Thieves. The former, based on a true story of soldiers heading off to the Middle East almost immediately after 9/11, stars Chris Hemsworth, and made an estimated $16.5 million despite middle of the road reviews.

The latter, starring Gerard Butler, 50 Cent and O’Shea Jackson Jr., made a respectable $15.32 million, also in spite of rather poor reviews.

Coming in fourth is last weekends #2, Steven Spielberg’s The Post. In its wide release, the Tom Hanks-Meryl Streep vehicle is fairing rather well, boosting up to $45.191 domestically after $12.15 this weekend. On a budget of $50 million, the film will likely end up successful, especially once it receives Oscar nominations.

In fifth, and still holding strong, is Hugh Jackman’s The Greatest Showman with approximately $11 million. Domestically, the film has outperformed many other large budget spectacles, such as Blade Runner 2049. Its run speaks to the power of a wide demographic.

Star Wars: The Last Jedi just passed a milestone, crossing into $600 million domestically — $604.284 to be exact. It is only the sixth film to ever do so. It’s unclear if it will beat Marvel’s The Avengers $623.357, but there’s certainly a shot

Paul Thomas Anderson’s Phantom Thread expanded from 62 theaters into 896, and made an estimated $3.37 million. It’ll be interesting to see how well it does as it continues to expand and if its star, Daniel-Day Lewis, does get an Oscar nomination.

Finally, Call Me by Your Name also expanded, from 174 theaters into 815, but in much worse fashion, pulling in only $1.505 million. The film had been in limited release since November and it seems as though anticipation has fizzled out and that it still isn’t even in enough theaters to gain traction. Sony Pictures Classics botched this release plan, and now must hedge bets on Oscar nominations pushing some to go see it.

*All weekend numbers are domestic, meaning that they’re from theaters in the US and Canada, and are also estimates, reported by Box Office Mojo, with actuals coming out in the next few days.*

 

Featured image via Columbia Pictures

Box Office Report: In only 37 theaters, ‘Lady Bird’ flies into the top 10

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While there are nine films that earned more than it, Lady Bird is, undoubtedly, the story of the week. In only 37 theaters — 826 less than any other in the top 10 — writer-director Greta Gerwig’s film, starring Saoirse Ronan, averaged $33,766 for a total of $1.249 million. After a 2017 record per-theater-average the weekend prior, Gerwig’s picture now stands at $1.781 million and will only continue to make money. Audiences know Gerwig from brilliant films such as 20th Century Women, Jackie, Frances Ha and Mistress America; combine that with wonderful marketing by A24, and it looks like they’ve got the perfect storm. It already has the critical acclaim, still at 100% on RottenTomatoes after 115 reviews, and now the financial success that could push it to not only contend, but possibly win big during the awards season.

In first place, expectedly, was Thor: Ragnarok. Marvel’s third Thor film took home an estimated $56.6 million to put it at $211.5 million domestically and $650 million worldwide — already past Thor and Thor: The Dark World in only its second weekend. The film will take a hit this upcoming weekend with the release of Justice League, but it should easily cross $800 million.

The comedy sequel Daddy’s Home 2 made an estimated $30 million for the second spot. The opening is $8 million less than the original, but still a solid start that should set the film on a path toward profitability. It seems as though Mel Gibson is all but forgiven in Hollywood.

Behind that was Kenneth Branagh’s Murder on the Orient Express with an estimated $28.2 million. The Agatha Christie adaptation was produced for $55 million and, with $57+ million so far overseas for a total of $85.4 million, the film will look to make its money back in due time.

In other limited release news, Oscar contender Three Billboards Outside of Ebbing, Missouri earned a per-theater-average of $80,000 in four theaters, close to Lady Bird last. As the Oscar players continue to release, we should be seeing similar performances — but next weekend will be dominated by Justice League.

*All weekend numbers are domestic, meaning that they’re from theaters in the US and Canada, and are also estimates, reported by Box Office Mojo, with actuals coming out in the next few days.*

 

Featured image via A24.

Box Office Report: ‘Thor: Ragnarok’ hammers home fourth largest debut of 2017

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After a few slow weekends, the box office has been reinvigorated by the God of Thunder. The Taika Waititi-directed, Chris Hemsworth-starring Thor: Ragnarok took home an estimated $122.744 million in its opening weekend, which is the 4th largest debut of 2017 and the 7th largest of the MCU. The film has already made over $430 million worldwide, which means, on a budget of $180 million, the film is already and will continue to be a massive financial success. The first two Thor films ended, respectively, at $181 and $206 million domestically — numbers that Ragnarok will far surpass.

In second, and over $100 million less than first place, was A Bad Moms Christmas, with an estimated $17.03 million. The film actually opened on Wednesday, and it’s total since opening is $21.55 million. On a budget of $28 million and riding the success of the first Bad Moms film, this second in the series — strangely released over a month before Christmas — will still likely make its money back despite the rather poor critical standing of 31% on RottenTomatoes.

Spots three through nine remain in the same order as the previous weekend — Jigsaw, Boo 2!, Geostorm, Happy Death Day, Blade Runner 2049, Thank You for Your Service and Only the Brave.

While most other box office stories don’t say much that already hasn’t been said, Greta Gerwig’s Lady Bird soared onto the scene with a 2017 box office record. While Lady Bird only opened in four theaters across the country, the film made a per-theater-average of $93k, which is 2017’s best, beating The Big Sick‘s 5 theater-$84k PTA. As the film continues to expand — it goes wide over the Thanksgiving holiday — it’s likely that it will find similar financial success as Kumail Nanjiani’s romantic comedy, which could then fuel the momentum behind the film as a serious awards contender.

*All weekend numbers are domestic, meaning that they’re from theaters in the US and Canada, and are also estimates, reported by Box Office Mojo, with actuals coming out in the next few days.*

 

Featured image via Marvel.

Box Office Report: ‘Jigsaw’ saws its way to the top in slow weekend

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In an expectedly slow weekend before the release of Thor: Ragnarok, Jigsaw took the top spot at the box office with an estimated $16.25 million. As seen by Happy Death Day in the weeks prior, horror films, especially around Halloween, tend to do well — although Lionsgate likely hoped that for a better result with this being the last weekend of October. Regardless, the film, which sits at $25.75 million worldwide, has already crossed even on a budget of $10 million.

In second place was last weekend’s winner, Tyler Perry’s Boo 2! A Madea Halloween. With an additional $10 million, the 7th Madea film climbed past a domestic total of $35.5 million. International numbers are currently low, but the film should still cross even within the next week.

Geostorm earned an estimated $5.675 million for the third spot, a 58.6% fall from its opening weekend. These numbers are abysmal, and even though the film is over $136 million worldwide, it’s one of the bigger flops of the year considering its $120 million price tag.

Happy Death Day and Blade Runner 2049 also stayed in order, shifting down just one spot to 4th and 5th. The Groundhog Day-esque horror film added over 200 theaters, and made $5.099 million. The sci-fi sequel made only $3.965 million, and left 782 screens. The film will not cross $100 million domestically, and needs a huge run in China — of over $60-$70 million — to cross even, which is doable.

The second new release in the top 10 was Thank You For Your Service, which took home an estimated $3.702 million for 6th place. The film follows soldiers as they return home from war and deal with the effects of PTSD, and is the directorial debut of American Sniper screenwriter Jason Hall. Right now, the film sits at 78% on RottenTomatoes after 72 reviews, and is one of the few favorably received new releases.

The third new release in the top 10 was the Matt Damon starring Suburbicon, which essentially bombed with only $2.8 million. The film has been panned by critics as well as fans, currently standing at 26% on RottenTomatoes and receiving a D- on CinemaScore.

Next weekend should blow up massively with the third Thor film and many critically acclaimed pictures, such as The Killing of a Sacred Deer and Lady Bird, either releasing, releasing limited or expanding.

*All weekend numbers are domestic, meaning that they’re from theaters in the US and Canada, and are also estimates, reported by Box Office Mojo, with actuals coming out in the next few days.*

 

Featured image via Brooke Palmer/Lionsgate.

Box Office Report: ‘Boo 2! A Madea Halloween’ scares away competition

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This past weekend saw the release of three critically panned films: Geostorm, Tyler Perry’s Boo 2! A Madea Halloween and The Snowman.

With Happy Death Day in its second weekend and Blade Runner 2049 in its third, one of those three critical failures was poised to take the top spot. And with the strangely wide appeal of the franchise, Tyler Perry’s 7th Madea film won the weekend with an estimated $21.65 million. While that is the second worst opening for a Madea film, it’s still a financially impressive weekend as its production budget is only $25 million — which likely means that more Madea films will come.

Coming in second was Geostorm with an estimated $13.3 million. On a production budget of $120 million, it’s a foregone conclusion, and not a surprise at all, that the film will be a box office bomb.

Happy Death Day fell more than expected, however, only pulling in an estimated $9.375 million — a 64% drop from its opening weekend. Regardless, the horror film’s budget is only $4.8 million, meaning that it’s already extremely profitable.

In 4th, and still struggling to make money despite outstanding critical reviews, was Denis Villeneuve’s Blade Runner 2049, taking home an estimated $7.155. Standing at $194.1 million worldwide on a $150 million budget, the film will also lose money — unless markets it’s yet to be released in, like China, can get it to the approximately $300 million it needs to cross even.

The only critically acclaimed new release of this past weekend, Only the Brave, earned $6.01 million for the 5th spot. The film recounts the true story of the brave team of firefighters who fought the massive Yarnell Hill Fire in June 2013. It currently sits at a 90% on RottenTomatoes.

Jumping past The Foreigner, which made $5.45 million, and It, which made $3.5 million, new release The Snowman, starring Michael Fassbender, only made an estimated $3.442 million. The director has come out to say that the production ran out of time and they weren’t able to shoot 10-15% of the script — as some sort of excuse for its low critic scores. Regardless, the film is shaping up to be a financial failure as well.

*All weekend numbers are domestic, meaning that they’re from theaters in the US and Canada, and are also estimates, reported by Box Office Mojo, with actuals coming out in the next few days.*

 

Featured image via Chip Bergman/Lionsgate.