Tag Archives: Variety

Patty Jenkins signs historic deal to direct ‘Wonder Woman 2’

Patty Jenkins has officially signed on to direct Wonder Woman 2, which was first reported by Variety.

The sequel to the year’s second highest domestic grossing film, sitting at $410 million from US and Canada, which puts it in the 5th spot for highest domestic grossing superhero films of all time (only behind the two Avengers films and the last two Nolan Dark Knight films), is slated to hit theaters on December 13, 2019.

Not only will Jenkins direct, but she will also co-write and produce the second installment — two positions she didn’t hold with the first. The first had an all-male writing team of Allan Heinberg, Zach Snyder and Jason Fuchs. According to The Hollywood Reporter, while Jenkins made $1 million for directing Wonder Woman, she’ll make in the range of $7 to $9 million for duties on the Amazonian’s second solo feature. These numbers would make her the highest paid female director in history. According the same reports, Jenkins will also make significant backend, which comes from box office gross.

Jenkins had only signed on for one film, coming onto the project after Michelle MacLaren exited due to differences in vision with the studio, which is why Jenkins had to enter negotiations for a second in the first place. With the film becoming a box office smash and the first critical hit for the DCEU, when it desperately needed one, Jenkins then held a lot of negotiating power. The Hollywood Reporter reports that Jenkins asked for pay similar to that given to Zack Snyder when he signed on for a second film. Snyder directed Man of Steel, which released to lukewarm reviews, and Batman v Superman: Dawn of Justice, which was critically smashed.

Gal Gadot will appear as Wonder Woman for the third time in the DCEU superhero team-up Justice League, which opens on November 17.

Featured image via Gage Skidmore.

Christian Bale is a Western cavalryman in first ‘Hostiles’ trailer

Christian Bale and writer-director Scott Cooper have reteamed, after Out of the Furnace, for the upcoming Western Hostiles, which follows Captain Joseph J. Blocker (Bale) as he reluctantly escorts a Cheyenne chief (Wes Studi) and a grieving woman (Rosamund Pike) through hostile territory. The film premiered this weekend at Telluride Film Festival to incredible acclaim, with The Hollywood Reporter and Variety saying that Bale could be a very strong Oscar contender for his performance. Riding that buzz, Hostiles has dropped its first trailer, released through Deadline Hollywood.

Hostiles finds itself in a very unique position this fall, currently without a distributor, which may be why the trailer landed with Deadline instead of being released through a film company online. The film accompanied a tribute to Christian Bale’s career at Telluride, which started the buzz of who might acquire the title — with companies such as Annapurna (new to distribution), Sony Pictures Classics and Netflix rumored as in the mix. But Variety says that Telluride isn’t particularly a festival where titles get picked up and suggests that there won’t be any official news until, at the earliest, Toronto International Film Festival, where the film is set to screen next on September 11.

With a trailer dropping, it seems as though the film is eyeing a 2017 release, considering that, with the Oscar buzz, it would be a strange move to release a trailer now and then wait over a year to release it next fall. A distributor would have to act fast to put together a marketing campaign that can get enough people in the theater to then realize that awards potential. And it also seems, with the subject matter, that 2017 is the prime window for a release, as the film deals with themes of hatred, racism and reconciliation, and can compare to today’s times, as talked about by Scott Cooper in Variety’s film podcast Playback.

Featured image via Lorey Sebastian, Le Grisbi Productions and Waypoint Entertainment.

Box Office Report: As summer closes, box office reaches historic low with top earner merely making $10 million

Box Office Report for the weekend of August 25 to August 27:

As the summer closes with its last weekend, the box office has reached the year’s lowest point and, as reported by Box Office Mojo, the worst weekend in about 16 years.

The Ryan Reynolds/Samuel L. Jackson-starring The Hitman’s Bodyguard took home the top spot with an estimated $10.05 million, bringing up its domestic total to approximately $39.61 million. The film’s reported budget is $30 million, meaning that, despite it’s mostly negative reception as it sits at 39% on RottenTomatoes after 143 reviews, it will almost certainly make its money back, and then some. The weekend gross of The Hitman’s Bodyguard, however, is the lowest earning top spot of the year. One would have to go all the way back to the weekend of February 3-5, when M. Night Shyamalan’s Split made $14.42 million, to come close to a worse #1 earner. Some say that the film’s finalized weekend number — its ‘actuals’ — will dip, meaning that it could even sink below $10 million.

Annabelle: Creation placed second with an estimated $7.35 million. Taking place within the Conjuring franchise, which itself has crossed $1 billion, the film should cross $100 million domestically within the coming weeks (it currently sits at $77.88 million). With a budget of $15 million, the horror prequel will be, relatively, one of the year’s most profitable films.

New releases, though, proved incredibly unappealing, with the animated film Leap! being one of only two to break the top ten. The Weinstein Company acquisition, which premiered internationally last year, made only $5.01 million domestically.

Wind River, which performed well during a limited release, expanded to over 2,000 theaters, and took home an estimated $4.41 million at the domestic box office. The indie, coming from Sicario and Hell or High Water screenwriter Taylor Sheridan, features what many critics are calling Jeremy Renner’s best performance.

Christopher Nolan’s Dunkirk stuck around in the top ten after its 6th weekend in theaters, raking in another $3.95 million to claim the 6th spot. At this point, the World War II epic has yet to fall more than 47% from weekend to weekend, and never more than 41% after its second weekend, showing that it has strong legs. With a domestic total currently sitting at $172 million, the film will soon beat The Boss BabyGet Out and The LEGO Batman Movie to become the highest domestic grossing film that is not a sequel or a franchise vehicle — an accomplishment that Nolan is incredibly familiar with.

After Spider-Man: HomecomingThe Emoji Movie and new release Birth of the DragonGirls Trip, like Dunkirk, finds itself in the top ten after its 6th weekend, making an estimated $2.26 million domestically. The all-Black, all-female comedy recently crossed $100 million domestically.

Finally, in a bid for the 5th spot on the “highest domestic grossing superhero films” list, which is currently held by Iron Man 3 at $409.01 million, Wonder Woman added 1,407 theaters, expanding to a total of 2,210. The DC Extended Universe picture took home $1.68 million, bringing its domestic total to $406.2 million. It should claim that 5th spot in due time, putting it behind only The Dark Knight RisesAvengers: Age of UltronThe Dark Knight and Marvel’s The Avengers respectively.

The following weekend may be even more abysmal, with very few new releases that could make any notable dent. Unless Tulip Fever somehow strikes a chord with audiences, next weekend’s top earner may be well under $10 million.

The one after that, however, will see the release of It, which Variety reports could make about $50 million domestically its opening weekend, according to early box office tracking. With Jennifer Lawrence’s mother!, Kingsman: The Golden CircleThe LEGO Ninjago Movie and Tom Cruise’s American Made coming in the weeks following, the fall season will hopefully reinvigorate the box office.

*All weekend numbers are domestic, meaning that they’re from theaters in the U.S. and Canada, and are also estimates, reported by Box Office Mojo, with actuals coming out in the next few days.*

‘It’ praised as ‘scary and faithful’ Stephen King adaptation in first reactions

It, an adaptation of the first half of Stephen King’s novel of the same name, has screened for some of the press. After the social media embargo lifted last night, critics tweeted out their first reactions, and they have been overwhelmingly positive.

Everyone has unanimously agreed that It delivers on its scares. But critics have also said that the film is “surprisingly funny” and “adorably romantic.” Praise has also been handed out to Bill Skarsgård, the actor who plays Pennywise, with one critic deeming the character the “Freddy Krueger of a new generation.”

Another Stephen King adaptation, The Dark Tower, released earlier this year on August 4 to lukewarm reception. That film currently holds a 16% on RottenTomatoes after 194 reviews and a score of 34 from 46 reviews on Metacritic. Currently, the film has made only $74 million on a $60 million production budget. Factoring in theater take and marketing costs, The Dark Tower will almost certainly end up losing money.

So the initial positive reception of It will likely be a relief to Stephen King fans, and fans of the horror genre as well. And the box office also looks to fair much better. Last week, Variety reported that It is poised for a $50 million domestic debut — more than The Dark Tower has made domestically after one month — according to early tracking numbers. According to ForbesIt has a production budget in the range of $35-$40 million.

Look below for critics’ Twitter reactions to It:

It is set to release on September 8 and comes from Mama director Andrés Muschietti. It stars the aforementioned Skarsgård, Jaeden Lieberher (St. VincentMidnight Special), Finn Wolfhard (Stranger Things), Sophia Lillis and Nicholas Hamilton (Captain FantasticThe Dark Tower) among many other young actors, all of whom the critics are very excited about.

The film was originally attached to Cary Joji Fukunaga (season one of True DetectiveBeasts of No Nation), who also originally wrote the film with Chase Palmer. Fukunaga left the project in 2015 due to creative differences, but the two still have writing credits on the film.