Tag Archives: Star Wars: Episode IX

J.J. Abrams brought back to write and direct ‘Star Wars: Episode IX’

In a move that not many expected, but that seems as in line with Lucasfilm’s most recent decisions as any, J.J. Abrams, director of Star Wars: The Force Awakens, has been hired to direct the final installment of the new trilogy from a galaxy far, far away, announced via a press release on StarWars.com.

A week ago, Lucasfilm and previous director Colin Trevorrow parted ways. Trevorrow had been on the project for over two years and had written the screenplay with his writing partner Derek Connolly. But rumors began to surface, especially after the critical failure of Trevorrow’s The Book of Henry, that Trevorrow could be ousted. Last month, Jack Thorne, co-writer of the upcoming Julia Roberts, Owen Wilson and Jacob Tremblay film Wonder, was brought on to rewrite.

It seems as though the script will be overhauled, as Abrams has been tasked to write Star Wars: Episode IX with Academy Award-winning writer Chris Terrio. Terrio won the Oscar for the Ben Affleck-directed Argo, and has written scripts for Batman v Superman: Dawn of Justice and the upcoming Justice League. Abrams co-wrote The Force Awakens with Lawrence Kasdan and Michael Arndt.

In the days after Trevorrow departed the ninth episode, fans and critics offered up potential replacements. The internet seemed to come to a consensus that they wanted Ava DuVernay, director of Selma13th and the upcoming Disney film A Wrinkle in Time. Rian Johnson, director of eighth episode Star Wars: The Last Jedi, popped up in serious rumors, so much so that the director ended up explicitly saying that he had no plans to return.

But it was likely that Abrams was already hired, or at least just had to sign on the dotted line, by the time Lucasfilm came out to announce Trevorrow’s exit. This will be Abrams’ first film since The Force Awakens and he will produce through his production company Bad Robot.

In the press release, Lucasfilm president Kathleen Kennedy made this official statement:

“With The Force Awakens, J.J. delivered everything we could have possibly hoped for, and I am so excited that he is coming back to close out this trilogy.”

In an announcement on Twitter hours later, Lucasfilm has officially pushed back the release of the film from May 24, 2019, to December 20, 2019. The seemingly large script revision likely meant that production couldn’t start as early as Kennedy had hoped. Now, Abrams will have 27 months to complete the picture instead of 20 months, and the December release will fall in line with the releases of The Force Awakens and The Last Jedi. The film will now compete with the second weekend of Wonder Woman 2, which is set to release on December 13, 2019.

Featured image via Gage Skidmore.

Who should Lucasfilm hire to direct ‘Star Wars: Episode IX’?

With Colin Trevorrow exiting ‘Star Wars: Episode IX,’ who should Kathleen Kennedy and Lucasfilm hire to replace him? Our staff offers some suggestions:

Levi Hill (Deputy Editor and Co-Chief Film Critic) — Rian Johnson

Gage Skidmore/Courtesy

To me, this was a tough choice. Why? Because there are quite a few big-budgeted directors that I think could make one hell of a Star Wars movie. Take, for example, what Guillermo del Toro could do with a massive budget and the freedom of world-building that Star Wars has been able to conjure up. Yet del Toro is also an idiosyncratic director that, in my opinion, works best when working from his own deliciously imaginative script. Then, rumored directors or writers like Sam Esmail or Stephen Daldry wouldn’t be bad choices, with Esmail in particular being an intriguing prospect — due to his love for one of the greatest sci-fis of all time (Fritz Lang’s Metropolis) as well as showrunning for the smartest sci-fi (sort of) show on TV right now, Mr. Robot.

Also, who wouldn’t want to see Ava DuVernay follow up A Wrinkle in Time with the biggest franchise of all-time?

But all of that to me is superfluous, because as much as any of us want to see another director take on Star Wars, the answer is likely right in front of us — and it’s not a bad thing. Rian Johnson’s The Last Jedi hasn’t even been seen by the public yet (and anyone, probably), but the film has already generated an immense amount of buzz from its one unbelievably beautiful and rousing trailer. To be fair, anything Star Wars related will generate buzz, but I know I’m not the only fan with the belief that the Johnson directed film could end up being the best in the entire series. But most importantly, Rian is an auteur that Lucasfilm has seemingly had no problems with on or off set. There have been no rumors about temperamental producers, slow-paced editors or wayward actors. That alone proves that Rian is passing in flying colors and that, to me, means he is the right and only choice to finish this highly touted new trilogy.

Kate Halliwell (Editor-At-Large) — Mimi Leder

Sarah E. Freeman/Courtesy

I’m not going to waste my time complaining about how male directors like Colin Trevorrow continue to fail upward in Hollywood, managing to turn flops like whatever The Book of Henry was into massive blockbuster deals, while talented female directors go to movie jail after just one underperforming film.

Okay, actually… just a quick rant.

Television is full of incredible female directors right now, many of which started in film and had to transition to TV after being shut out of opportunities in Hollywood. Since the news about Trevorrow broke, names like Ava DuVernay, Mimi Leder, Michelle MacLaren, Lesli Linka Glatter, Reed Morano and many more have been bandied about online — but how reasonable is it to think that a female director may actually get this job?

For my money, I’d give the film to Mimi Leder in a heartbeat. Whether crafting incredible shots on HBO’s The Leftovers or directing high grossing blockbusters like her 1998 film Deep Impact, Leder has been one of Hollywood’s most reliable directors for decades.

But let’s be real — it’s a pipe dream. Would someone like Leder, MacLaren, Morano or Linka Glatter absolutely slay this job? Of course. Do they deserve it? Absolutely. Will they actually get it? Not on your life.

When the untitled Han Solo film went through a similar director swap just a few months ago, the studio turned to Ron Howard — basically the safest, least inspired choice in the book. Press releases concerning Trevorrow’s exit have cited irreconcilable differences with Kathleen Kennedy and other producers of the film. Obviously, these directors aren’t getting the opportunities to do what they want with their Star Wars movies, no matter how inspired (or not) their vision may be. So as much as I’d like to see a female director take on Episode IX and show all of Hollywood what they’re missing, I’m selfish enough to want to keep my favorite female directors where they have the freedom to do what they want. And, for the most part, that’s on TV.

From The Handmaid’s Tale to HBO’s new (and incredible) The Deuce to Homeland and Breaking Bad, these ladies have proven themselves incredibly valuable in helping create and maintain the peak TV era. While Leder and others are still making movies — Leder’s upcoming Ruth Bader Ginsberg biopic starring Felicity Jones is set for 2018 — it’s TV where they can really strut their stuff.

So I’m not getting my hopes up. Give it to Howard, or Rian Johnson, or whatever white man will make the studios happy, if you must. I’ll be hanging with my girls at home on Netflix, HBO, Hulu, Amazon and wherever else they can truly do their thing.

Harrison Tunggal (Associate Editor and Co-Chief Film Critic) — Patty Jenkins 

Gage Skidmore/Courtesy

Do fired Star Wars directors become Force ghosts? Is this gif, this gif or this gif a better representation of the current state of Lucasfilm? Regardless, the production company behind the galaxy from far, far away continues to lose directors like Anakin loses limbs. A tentpole film losing its helmer is nothing new though, and somewhat analogously, Wonder Woman lost its first director, Michelle MacLaren, because of her creative differences with Warner Brothers. As we all know, Patty Jenkins replaced MacLaren and delivered one of the best superhero films of all time, suggesting that Jenkins knows how to cooperate with the demands of a studio. Whether Jenkins’ sock-folding can live up to Kathleen Kennedy’s high standards remains to be seen, but Jenkins has demonstrated an aptitude for storytelling within the rigid confines of an established universe. Hiring Jenkins would also allow her to close a trilogy hinged on Rey, a move that could make Rey even more inspiring and iconic than she already was. Just imagine the “No Man’s Land” scene but with the Force-wielding awesomeness of Rey. I want that scene more than Luke wants his power converters. Additionally, choosing Jenkins is a choice predicated on the assumption that Star Wars: The Last Jedi will be a darker film, just like The Empire Strikes Back. With that in mind, what was Wonder Woman if not a film that lifted its titular heroine from the darkness of Batman v Superman: Dawn of Justice? Jenkins’ Episode IX could do something similar, bringing Rey out of the darkness of The Last Jedi. If the tone of Wonder Woman was any indication, Jenkins can meld rollicking excitement and fun with darker moments of dramatic weight — if that doesn’t scream Star Wars, then I’m a trough of bantha fodder.

Kyle Kizu (Editorial Director) — Spike Jonze

aphrodite-in-nyc/Courtesy

I’m going to mutter the three words that doom anyone making a pitch for something/someone they know will likely fail to sell: Hear me out. If not for anything else, I’d want Lucasfilm to choose Spike Jonze simply because of the endless “wait, what the fu**?!” reactions on Twitter. But honestly, Jonze could do something wildly special with a Star Wars film. His four films are all intensely visual (as are all of his music videos) with Where the Wild Things Are showing that he can manage large scale CGI and Her displaying his absolutely masterful visual and stylistic rendering of setting (his Los Angeles is a quite distinct and singular futuristic vision). If he were to have the galaxy to play with, we could surely expect a captivating manifestation of bizarre — Star Wars needs bizarre — and utterly delightful imagination, the likes of which, after two merely decent visual Star Wars films, the franchise desperately needs. But visuals only matter so much and, thankfully, Jonze handles character with care and grace. With Her, the director offers one of the most tender, joyful and tragic character journeys of recent memory, and those three qualities are absolute must-haves when it comes to the final installment of any trilogy, let alone a Star Wars one. Jonze could dig deep into the vulnerable emotion of both the galactically massive, nearly 40 year journey of Luke, which might come to a close in Episode IX, as well as the intimate, explorative and raw discovery that is the journey of Rey unfolding before us. Now, the only thing that’s left to prove for Jonze is his ability to direct action, and I have an odd place in his career to point to. Spike Jonze has dabbled in feature films, music videos and documentaries. But he’s also directed skateboard videos. Yes, you read that right. Skateboard videos. And one particularly breathtaking shoot that handled intense choreography of action is the introduction to Fully Flared. Am I crazy? Maybe. But I think he could shoot the hell out of an explosive X-Wing dogfight and an epic lightsaber duel.

 

Do you agree with any of these choices? How would you have answered this week’s question? Sound off in the comments below.

Photos via aphrodite-in-nyc, Sarah E. Freeman and Gage Skidmore.

Feature image via Gage Skidmore.

Colin Trevorrow departs from ‘Star Wars: Episode IX’

When The Book of Henry released to intense critical derision and faired rather poorly at the box office, many pundits and fans questioned whether Colin Trevorrow, who also directed Jurassic World and Safety Not Guaranteed, was the right choice to helm the final installment of the brand new Star Wars trilogy. Well, today, announced through an official statement on StarWars.com, Colin Trevorrow and Lucasfilm have officially parted ways.

The statement reads:

“Lucasfilm and Colin Trevorrow have mutually chosen to part ways on Star Wars: Episode IX. Colin has been a wonderful collaborator throughout the development process but we have all come to the conclusion that our visions for the project differ. We wish Colin the best and will be sharing more information about the film soon.”

Directors have been a particular problem for Disney, Lucasfilm and Lucasfilm president Kathleen Kennedy, or perhaps vice versa. While Gareth Edwards retained sole directing credits, Rogue One: A Star Wars Story underwent massive reshoots under the guide of director Tony Gilroy. Most recently, earlier this summer, Phil Lord and Christopher Miller were fired from the Han Solo standalone film, starring Alden Ehrenreich and Donald Glover as Solo and Lando Calrissian respectively. That decision cited “creative differences,” as does this one, and soon after, Lucasfilm hired Ron Howard, who is currently directing the remainder of the shoot as well as the scheduled reshoots. Whether or not Lord and Miller will be credited as directors is currently a mystery.

Episode IX recently brought on Jack Thorne, writer of the upcoming Jacob Tremblay, Julia Robert and Owen Wilson film Wonder, to rework the script, which had started with Trevorrow and his writing partner Derek Connolly. Perhaps the shift there points to where the split lies between Trevorrow and Lucasfilm, but the exact reason is yet to be known, and likely never will be.

As the news broke, many critics and journalists jumped to Twitter to suggest names and one popped up repeatedly: Ava DuVernay.

DuVernay’s upcoming film is A Wrinkle in Time, a Disney-produced, $100 million+ budgeted blockbuster, so the connections seem to be there. In addition, in an interview with Nerdist, JJ Abrams touted her as a good fit for the universe while promoting The Force Awakens.

DuVernay was also rumored for Black Panther, of Disney’s other massive sub-studio Marvel. The reported reasons for DuVernay not working on that film were creative differences, so, with Kathleen Kennedy and the other executives/producers at Lucasfilm and Disney seemingly holding strict creative control, the fit might not be so snug.

Star Wars: Episode IX, yet to be titled, is set to release on May 24, 2019, which means that a director must be brought on soon to comfortably stay on schedule. Ron Howard boarded the Han Solo film, which is set to release on May 25, 2018, within days of the announcement of Lord and Miller’s firing, so Lucasfilm might already have another director lined up. The world will get eighth episode Star Wars: The Last Jedi on December 15 of this year.

Featured image via Red Carpet Report and Mingle Media TV.