Tag Archives: Jurassic World

When Harry Met Movies: Breaking Out the Nostalgia Goggles — Column

I remember going to see Ex Machina with my parents, and pointing to a standee in the movie theater lobby. It was Chris Pratt riding a motorcycle with a pack of velociraptors flanking him. I don’t remember what exactly I said, but it might have been something like this. I was excited, not just because I was about to see Oscar Isaac get his disco on, but because in a month, Jurassic World was going to take me back to Isla Nublar, a place where I’ve spent an inordinate amount of time cavorting about.

I am speaking figuratively, of course, but I’m sure toddler Harry would refute that statement. Donning my Alan Grant fedora — I never called it an “Indiana Jones hat” — I would spend untold, infinite hours on that island taming (plastic) dinosaurs, watching them fight and sometimes feeding them Batman and Han Solo.

If you couldn’t already tell, Jurassic Park has always had a special place in my heart. It’s one of the first movies I ever remember watching, as evidenced by the chewed-on, mostly destroyed cardboard sleeve that barely houses my VHS copy of it. Why my parents let their three year old watch a movie featuring Samuel L. Jackson’s severed arm, I’ll never know, but they’re awesome because of it.

Fast forward to November 25, 2014, and I was a senior in high school. I was in the midst of college applications, one of which was destined for the University of Chicago, where I was hoping to take Paul Sereno’s (more or less, Alan Grant in real life) paleontology class, go on a summer dig, discover some new and fantastic species of dinosaur and make all those hours spent in Isla Nublar worth something. But at the moment, none of that mattered, because I was trying to hide the fact that I was watching the Jurassic World teaser trailer in class. There it was, at 2:12, Chris Pratt riding a motorcycle next to freaking velociraptors. For a hot second, I was three again.

Actually watching Jurassic World was a different experience entirely — I wasn’t three years old with a too-big fedora on; I was a crotchety old man waving his fist in the air, smelling vaguely of prune juice, yelling at Colin Trevorrow to get off my lawn. The film didn’t resurrect dinosaurs as much as it did nostalgia for dinosaurs, and if anyone was going to buy into it, it would have been me.

And yet, the nostalgia goggles didn’t make the film’s characters seem any less two dimensional. Moreover, there’s an insidious cynicism that such nostalgia inspires, as if to say remember the good ol’ days? Great! Because it’s not going to get much better than that. Nostalgia makes progress impossible, setting standards so far back in time that the laws of physics and the fictionality of a time-hopping DeLorean make them impossible to achieve.

Yearning for glory days long past, rather than imagining ones still to come, makes Jurassic World seem like the guy that hangs out in the high school parking lot next to the football field, futilely trying to retain some tenuous grasp on a history that will never be repeated. And somewhat frustratingly, nothing sells quite like nostalgia — the current cinematic landscape thrives on it.

Of course, not every film that looks fondly on the past is doomed to mediocrity. It, steeped in 80’s culture, is proving to be one of the biggest critical and commercial hits of the year, and later this week, Blade Runner 2049 promises immaculate, mind-bending sci-fi. But it’s worth remembering that nostalgia also gave us the MAGA cap.

Nostalgia shouldn’t be something to eschew completely — I’ll always look back fondly on my childhood obsession with Jurassic Park, but I’m not going to bust out my Alan Grant hat, and start lassoing plastic dinosaurs. I’ll write about it instead.

‘When Harry Met Movies’ is a bi-weekly column from Associate Editor and Co-Chief Film Critic Harrison Tunggal about movies that shape us and why we love them.

 

Featured image via Universal Pictures.

Colin Trevorrow departs from ‘Star Wars: Episode IX’

When The Book of Henry released to intense critical derision and faired rather poorly at the box office, many pundits and fans questioned whether Colin Trevorrow, who also directed Jurassic World and Safety Not Guaranteed, was the right choice to helm the final installment of the brand new Star Wars trilogy. Well, today, announced through an official statement on StarWars.com, Colin Trevorrow and Lucasfilm have officially parted ways.

The statement reads:

“Lucasfilm and Colin Trevorrow have mutually chosen to part ways on Star Wars: Episode IX. Colin has been a wonderful collaborator throughout the development process but we have all come to the conclusion that our visions for the project differ. We wish Colin the best and will be sharing more information about the film soon.”

Directors have been a particular problem for Disney, Lucasfilm and Lucasfilm president Kathleen Kennedy, or perhaps vice versa. While Gareth Edwards retained sole directing credits, Rogue One: A Star Wars Story underwent massive reshoots under the guide of director Tony Gilroy. Most recently, earlier this summer, Phil Lord and Christopher Miller were fired from the Han Solo standalone film, starring Alden Ehrenreich and Donald Glover as Solo and Lando Calrissian respectively. That decision cited “creative differences,” as does this one, and soon after, Lucasfilm hired Ron Howard, who is currently directing the remainder of the shoot as well as the scheduled reshoots. Whether or not Lord and Miller will be credited as directors is currently a mystery.

Episode IX recently brought on Jack Thorne, writer of the upcoming Jacob Tremblay, Julia Robert and Owen Wilson film Wonder, to rework the script, which had started with Trevorrow and his writing partner Derek Connolly. Perhaps the shift there points to where the split lies between Trevorrow and Lucasfilm, but the exact reason is yet to be known, and likely never will be.

As the news broke, many critics and journalists jumped to Twitter to suggest names and one popped up repeatedly: Ava DuVernay.

DuVernay’s upcoming film is A Wrinkle in Time, a Disney-produced, $100 million+ budgeted blockbuster, so the connections seem to be there. In addition, in an interview with Nerdist, JJ Abrams touted her as a good fit for the universe while promoting The Force Awakens.

DuVernay was also rumored for Black Panther, of Disney’s other massive sub-studio Marvel. The reported reasons for DuVernay not working on that film were creative differences, so, with Kathleen Kennedy and the other executives/producers at Lucasfilm and Disney seemingly holding strict creative control, the fit might not be so snug.

Star Wars: Episode IX, yet to be titled, is set to release on May 24, 2019, which means that a director must be brought on soon to comfortably stay on schedule. Ron Howard boarded the Han Solo film, which is set to release on May 25, 2018, within days of the announcement of Lord and Miller’s firing, so Lucasfilm might already have another director lined up. The world will get eighth episode Star Wars: The Last Jedi on December 15 of this year.

Featured image via Red Carpet Report and Mingle Media TV.

‘Star Wars’ Obi-Wan Kenobi standalone film in development — Report

After years of speculation, Star Wars fans are finally getting one of their biggest wishes: an Obi-Wan Kenobi film. According to The Hollywood Reporter, Lucasfilm and Disney have begun development on their next standalone entry, centering on the Jedi made famous by Alec Guinness in the original trilogy and Ewan McGregor in the prequels.

Stephen Daldry, the Oscar-nominated director of Billy ElliotThe Hours and The Reader, is in talks to direct. There’s currently no script, but if Daldry were to sign on, he would work with the team at Lucasfilm to develop one, the report suggests. Daldry recently directed two episodes of the first season of Netflix’s Emmy-nominated The Crown, one of which, Hyde Park Corner, he’s in contention for. He also directed two episodes of the second season, which will air in December.

For years, Ewan McGregor has enthusiastically stated that he would play the character again in a future film. However, due to the project’s stage of development, McGregor has yet to be confirmed, nor has any other actor.

Lucasfilm and Disney are currently in the home stretch of production on their untitled Han Solo standalone, helmed by Ron Howard after the firing of directors Phil Lord and Christopher Miller, of 21 Jump Street22 Jump Street and The LEGO Movie. The film, starring Alden Ehrenreich as the gunslinging smuggler alongside Donald Glover as Lando Calrissian, holds a May 25, 2018 release date. Yoda and Boba Fett have been rumored to be subjects of future standalone films.

This next picture does not presently have a release date. Some have speculated that, keeping in line with release strategies of the episodes and the anthology films, Obi-Wan Kenobi may be gracing the screen as early as the summer of 2020 after the May 24, 2019, release of the untitled ninth episode, set to be directed by Jurassic World‘s Colin Trevorrow.