Tag Archives: Best Documentary Feature

2018 Oscar Predictions

The Oscars are finally here. The competition truly started over a year ago in January 2017, when Call Me by Your NameGet Out and Mudbound premiered at the Sundance Film Festival. So to say that it’s been a long road to this day is an understatement (especially because the Academy felt like dragging it on even longer than usual by pushing back the broadcast into March).

One of the most exciting periods, though, is that roughly month and a half between Oscar nominations and the Oscar broadcast, as other areas of the awards season play out and hint — sometimes aggressively, sometimes incredibly ambiguously — at how Oscar night might go.

Tracking the awards season and predicting the Academy Awards is almost a science. But last year, when Moonlight stunned with a Best Picture win, that science proved more vulnerable than we had thought.

This year, it’s all up in the air. While precursors might suggest something, nothing is truly set in stone until a name or a film is called (and even then, we have to double check).

This year, predicting the nominations is a bit more complicated. We have to be smart and still know when there’s an obvious winner, but we also have to think far outside the box for categories that are even remotely fragile — especially Best Picture.

So, without further ado, here are our Oscar predictions for the 90th Academy Awards:

Best Motion Picture

Best Lead Actor

Best Lead Actress

Best Supporting Actor

Best Supporting Actress

Best Director

Best Original Screenplay

Best Adapted Screenplay

Best Animated Feature

Best Production Design

Best Cinematography

Best Costume Design

Best Film Editing

Best Makeup & Hairstyling

Best Sound Mixing

Best Sound Editing

Best Visual Effects

Best Original Score

Best Foreign Language Film

Best Documentary Feature

Best Original Song

The Shorts


Featured image via Universal Pictures.

2018 Oscar Predictions: Best Documentary Feature

After shocking snubs of supposed heavyweight contenders Jane, the PGA winner, and City of Ghosts, the DGA winner, and the BAFTA being given to a 2016 US release, I Am Not Your Negro, the documentary feature category is, essentially, without precursors to illuminate a likely winner.

In this case, it comes down to politics and buzz. A producer of Last Men in Aleppo, for a period of time, was not going to be able to attend the ceremony because of President Trump’s travel ban. Last year, The Salesman director Asghar Farhadi was also barred, and the narrative pushed his foreign film to a win. The producer ended up obtaining a Visa, but it wasn’t announced until after voting had closed. The same type of narrative could’ve cleared a path for the film to win.

Faces Places isn’t the most overtly political film, but it is certainly a contender because of the personality of Agnes Varda. Varda is a legendary filmmaker and a beloved figure, and many might want to see her take home an Oscar.

Strong Island might gain some traction, as it is a documentary about the murder of a young Black man and filmmaker Yance Ford is the first transgender director to receive an Oscar nomination.

And Abacus: Small Enough to Jail is about the Wall Street crash and the local, family run, Chinatown-based bank that ended up being the only bank the US government attempted to prosecute.

But the pick I’m going with is Icarus. The film comes from Netflix, a definite documentary force, and the voting period hit almost exactly at the same time as the Winter Olympics, an event many Russian athletes were banned from because of the very events that the film tracks. And with “Russia” in the headlines almost daily, voters might’ve been drawn to Icarus pretty easily.

The Nominees

Faces Places
Strong Island
Last Men in Aleppo
Abacus: Small Enough to Jail

Will win: Icarus
Could win: Faces Places
Should win: Icarus
Should’ve been nominated: Jane


Featured image via Cohen Media Group