Category Archives: Opinion

March Madness of Movies: Best A24 Films — Round 2

These matchups were vote on by the MovieMinis Staff.

While every other bracket had some kind of outside seed make it into the elite eight, “Best A24 Films” stuck to the script with every #1 seed and #2 seed advancing through round 2.

But this is not say that that’s bad or boring in any way. On the contrary, this makes this upcoming round as hard as it could possibly be, contenders nearly impossible to decide between.

As a top eight, of sorts, of A24, these films are unbelievable. From Oscar winners to indie gems to near arthouse experiments, these eight films are about as strong as it gets from a studio, especially from such a young one.

#1 seed Moonlight has, expectedly, made it this far, and will face off against #2 seed Swiss Army Man. While Moonlight did win Best Picture, Swiss Army Man was its own kind of transformative film, at least for a few on staff.

#1 seed Lady Bird has also, expectedly, made it to round 3, and will take on #2 seed The Lobster. If there’s ever an indie name to cheer on, it’s eccentric writer-director Yorgos Lanthimos — that is, unless he’s facing off against Greta Gerwig. Either film will be a worthy choice.

#1 seed A Ghost Story held on through two rounds, but now faces its toughest challenge in Mike Mills’ absolutely lovely and sublime #2 seed 20th Century Women. Can the strength of Greta Gerwig not only help Lady Bird, but also 20th Century Women?

And finally, #1 seed The Florida Project will compete against #2 seed Ex Machina. In regard to material, these two films could not be more different, so it seems like this one will likely come down to taste.

Hopefully, the results of the next round will not be too painful.

Stay tuned for the round 3 results, which will be posted next week on Friday, March 30!

 

Featured image via A24.

March Madness of Movies: Best Superhero Villains of the 21st Century — Round 2

These matchups were vote on by the MovieMinis Staff.

While five The Dark Knight trilogy villains worked their way into round 2, only 2 now remain in #1 seeds The Joker (Heath Ledger) and Bane (Tom Hardy) from The Dark Knight and The Dark Knight Rises, respectively. #4 seed Scarecrow from the entire trilogy and #3 seed Ra’s al Ghul from Batman Begins were eliminated at the hands of MCU heavyweights #1 seed Erik Killmonger (Michael B. Jordan) from Black Panther and #2 seed Loki (Tom Hiddleston) from The Avengers (and other MCU films). Those two heavyweights will now face each other in what is, essentially, the decider of the best MCU villain.

The previously mentioned #1 seed Bane will compete against the #2 seed Doc Ock (Alfred Molina) from Spider-Man 2 — both physical beasts with fascinating stories behind them. #1 seed The Joker will go head-to-head with #2 seed Magneto (the Michael Fassbender version) from the new X-Men trilogy. While the absence of a backstory makes The Joker so frightening and effective, it’s the tragic, heartbreaking backstory of the younger version of Magneto that elicits so much empathy for him, despite his cruel actions.

The final matchup will be #1 seed Magneto (the Ian McKellen version) from the original X-Men trilogy vs. #3 seed Buddy Pine/Syndrome (voiced by the hilarious Jason Lee) from The Incredibles. While Magneto still has the backstory, his older version is plenty of fun to watch, as is Syndrome. Both hit on the larger-than-life characters while never feeling cheap.

The spread of contenders remaining feels just about right. This bracket is made up of villains from the MCU, DC films, X-Men films and any other superhero villains, and there is prominent representation of each of those subcategories in the elite eight. There is even potential for there to still be representation of each in the next round.

Stay tuned for the round 3 results, which will be posted next week on Friday, March 30!

 

Featured image via Marvel/20th Century Fox/Pixar/Warner Bros.

March Madness of Movies: Best Big Budget Directing of the 21st Century — Round 2

These matchups were vote on by the MovieMinis Staff.

There were very few surprises this round, and the competition is starting to shape up and become really difficult to work through.

In the superhero directing subcategory, the best of Marvel and the best of DC have now come to face each other, with #1 seed Christopher Nolan for The Dark Knight taking on #2 seed Ryan Coogler for Black Panther. Will the next votes lean toward the more recent cultural phenomenon or will they look back on the near all-time classic crime epic from a decade ago?

In the franchise directing subcategory, it’s the battle of the acronyms: #1 seed Peter Jackson for The Lord of the Rings: The Return of the King vs. #2 seed Matt Reeves for War for the Planet of the Apes. Both are epics of the highest order.

In the prestige/original/non-franchise studio directing subcategory, #2 seed George Miller for Mad Max: Fury Road comes up against Christopher Nolan yet again. Miller just beat #6 seed Nolan for Dunkirk and will now face #4 seed Nolan for Inception. Can he triumph yet again against this generation’s most popular director?

Finally, in the animated directing subcategory, two Pixar giants will go toe-to-toe: #1 seeds Pete Docter and Bob Peterson for Up vs. #3 seed Brad Bird for The Incredibles. These directors already made it by some huge Pixar contenders, so this matchup will be even tougher to consider.

The winners of these battles will then move on to a rather interesting part of this bracket, the part where subcategories end and contenders blend. Winners of subcategories will be crowned only to face the other winners in the final four. But who will those winners end up being?

Stay tuned for the round 3 results, which will be posted next week on Friday, March 30!

 

Featured image via Marvel/New Line Cinema/Warner Bros.

March Madness of Movies: Best Cinematography Since 2010 — Round 2

These matchups were vote on by the MovieMinis Staff.

Round 2 was a blood bath — not necessarily because of upsets, but because each matchup pitted such strong contenders against each other regardless of seeds.

But there were some fascinating results. While Roger Deakins went into round 2 holding on to all three of his entries, two of them got knocked out this time around. #2 seed Bradford Young for Arrival took down #3 seed Deakins for Skyfall, and #2 seed Hoyte van Hoytema for Dunkirk took down #6 seed Deakins for Sicario.

Young will compete against the powerhouse of #1 seed Mihai Malaimare Jr. for The Master, who beat #4 seed James Laxton for Moonlight. van Hoytema will face fellow Christopher Nolan cinematographer, #4 seed Wally Pfister for Inception, who (perhaps unsurprisingly, due to the popularity factor) upset #1 seed Andrew Droz Palermo for A Ghost Story.

In fact, van Hoytema remains as the most prominent competitor with two entries. His #1 seed work on Her worked by #5 seed Sayombhu Mukdeeprom for Call Me by Your Name. van Hoytema will battle #2 seed Linus Sandgren, who just squeezed by #3 seed Emmanuel Lubezki for Gravity after a tie-breaking vote.

The final matchup features the last remaining entries of two of the strongest initial contenders: #1 seed Roger Deakins for Blade Runner 2049 vs. #2 seed Emmanuel Lubezki for The Tree of Life.

Breaking down the remaining contenders, half of them come from the past two years and the other four are spread between 2010 and 2013, offering a well-rounded and deserving field. The next round will be particularly painful as most of these are #1 and #2 seeds, which were so close to begin with in the initial seeding votes. And even if Wally Pfister, a #4 seed, makes it through, he’d be more than deserving as well.

Stay tuned for the round 3 results, which will be posted next week on Friday, March 30!

 

Featured image via Fox Searchlight Pictures/Paramount Pictures/Warners Bros.

March Madness of Movies: Best Cinematography Since 2010 — Round 1

These matchups were vote on by the MovieMinis Staff.

In “Best Cinematography Since 2010,” 13 of the 16 matchups went to higher seeds, with upsets only coming from middle competitions. #5 seeds Sayombhu Mukdeeprom for Call Me by Your Name and Wally Pfister for Inception bested #4 seeds Luca Bigazzi for The Great Beauty and Rodrigo Prieto for Silence, respectively, while #6 seed Roger Deakins for Sicario beat out #3 seed Dick Pope for Mr. Turner; although Roger Deakins winning is never really an upset kind of story as he’s always such a strong contender. Mukdeeprom and Pfister have big competition ahead in #1 seed Hoyte van Hoytema for Her and #1 seed Andrew Droz Palermo for A Ghost Story, while Deakins will take on #2 seed van Hoytema for Dunkirk.

While Emmanuel Lubezki had four entries initially, he only has two remaining, for #3 seed Gravity and #2 seed The Tree of Life. He’ll have a very tough road ahead of him, facing #2 seed Linus Sandgren for La La Land and #3 seed John Seale for Mad Max: Fury Road.

Both Bradford Young and Hoyte van Hoytema had three entries to start. Young’s only remaining one is his #2 seed Arrival, which will take on #3 seed Roger Deakins for Skyfall. Deakins for Skyfall is what took out van Hoytema’s #6 seed cinematography for Interstellar.

Deakins is quite clearly the strongest on this list, even if he didn’t have the most entries to begin with. All three of his are still in competition, and his #1 seed Oscar-winning work for Blade Runner 2049 will test its strength against #4 seed Bruno Delbonnel for Inside Llewyn Davis. The final matchup will be a powerhouse of spellbinding drama photography: #1 seed Mihai Malaimare Jr. for The Master vs. #4 seed James Laxton for Moonlight.

Stay tuned for the round 2 results, which will be posted next week on Friday, March 23!

 

Featured image via Lionsgate/Warner Bros.

March Madness of Movies: Best Superhero Villains of the 21st Century — Round 1

These matchups were vote on by the MovieMinis Staff.

There were a few upsets in “Best Superhero Villains of the 21st Century,” but they do seem rather easily explainable. #5 seed Adrian Toomes/Vulture from Spider-Man: Homecoming topped #4 seed Mr. Glass from Unbreakable; the middle matchup is always up in the air and the former comes from such a massive property. Vulture could put up a fight against #1 seed Bane from The Dark Knight Rises, one of the weaker high seeds. In addition, #6 seed Professor Robert Callaghan from Big Hero 6 took down #3 seed Helmut Zemo from Captain America: Civil War. Zemo rose to a #3 seed due to very strong individual rankings. Plus, he’s not in the film that much, as the main conflict revolves around Iron Man and Captain America. It’s also going to be tough for Callaghan to get much further, as he’ll come up against #2 seed Doc Ock from Spider-Man 2.

Beyond that, everything went as planned. Two of the MCU’s best villains, in #1 seed Erik Killmonger from Black Panther and #2 seed Loki from multiple MCU films, will take on two The Dark Knight trilogy villains, in #4 seed Dr. Jonathan Crane/Scarecrow and #3 seed Ra’s al Ghul.

On the other side of the bracket, #1 seed The Joker from The Dark Knight will battle another smiling evildoer in #4 seed Green Goblin from Spider-Man. Both Ian McKellen and Michael Fassbender’s Magnetos, #1 and #2 seeds respectively, advanced and will take on MCU villains in #3 seed The Winter Soldier from Captain America: The Winter Soldier and #4 seed Ulysses Klaue from both Avengers: Age of Ultron and Black Panther. Finally, the fifth villain from The Dark Knight trilogy, #2 seed Harvey Dent/Two-Face, whose specifically from The Dark Knight, will face the animated contender, #3 seed Syndrome from The Incredibles.

Stay tuned for the round 2 results, which will be posted next week on Friday, March 23!

 

Featured image via Marvel/20th Century Fox/Sony Pictures/Warner Bros.

March Madness of Movies: Best A24 Films — Round 1

These matchups were vote on by the MovieMinis Staff.

“Best A24 Films” went mostly as expected. The only higher seed to lose out was Locke, but that seems understandable as #6 seed The Spectacular Now is a more popular film and Locke earned its #3 seed based on a few very strong individual votes.

What’s interesting about this round is the matchups it results in. #1 seed Moonlight may be safe, but it would be wrong to deem #4 seed American Honey as easy competition. #2 seed Swiss Army Man is adored by our staff, but as seen by #6 seed The Spectacular Now’s upset, it shouldn’t be underestimated. #1 seed A Ghost Story and #4 seed A Most Violent Year could not be more different, so voting is unpredictable; the same can be said about #2 seed 20th Century Women and #3 seed The Witch.

On the other side of the bracket, #1 seed Lady Bird will take on #4 seed Obvious Child, which worked passed a tie-breaking vote against #5 seed The End of the Tour in the previous round. #2 seed The Lobster, an unorthodox but beloved film, will go head to head with #3 seed Room, a Best Picture Oscar nominee. #1 seed The Florida Project will compete with #4 seed It Comes At Night in a battle of rather different genres. Finally, #2 seed Ex Machina will match up against #3 seed Good Time, two films that range from liked to loved by our staff.

How incredibly tight these matchups were and how unbearably difficult they will be in this coming round goes to show how fantastic A24 has been as a production/distribution studio. There are many different kinds of films on this list, but they all coalesce into a very cohesive sense of the A24 brand.

Stay tuned for the round 2 results, which will be posted next week on Friday, March 23!

 

Featured image via A24.

March Madness of Movies: Best Big Budget Directing of the 21st Century — Round 1

These matchups were vote on by the MovieMinis Staff.

For the most part, “Best Big Budget Directing of the 21st Century” went smoothly. 12 of the 16 matchups went to the higher seed.

In the superhero directing subcategory, two of the MCU’s arguably most controlled visions of both character and spectacle, in the Russo brothers’ Captain America: Civil War and Ryan Coogler’s Black Panther, remain and are set to face off next. Then, the gritty, genre-transcending films The Dark Knight, directed by Christopher Nolan, and Logan, directed by James Mangold, will also go head to head.

In the franchise directing subcategory, #4 seed Alfonso Cuarón for Harry Potter and the Prisoner of Azkaban fell in a very close race to #5 seed Denis Villeneuve for Blade Runner 2049. Villeneuve will face #1 titan Peter Jackson for The Lord of the Rings: The Return of the King. Then, #3 seed Matt Reeves for Dawn of the Planet of the Apes fell to #6 seed Sam Mendes for Skyfall — likely due to Reeves holding a higher seed with War for the Planet of the Apes and advancing, taking on Mendes next.

In the animated directing subcategory, higher seeds swept the matchups and we now only have Pixar films left. The matchups will be #1 seeds Pete Docter and Bob Peterson for Up competing with #4 seed Andrew Stanton for WALL-E, and #2 seed Brad Bird for The Incredibles matching up against #3 seed Toy Story 3.

The prestige/original/non-franchise studio is where things were most shaken up. Not only did Martin Scorsese (The Wolf of Wall Street, #7 seed) fall to the higher seeded George Miller (Mad Max: Fury Road, #2 seed), but he also fell to the lower seeded Christopher Nolan in the matchup between the directing of The Aviator and that of Dunkirk. Miller and Nolan will go head to head in one of the toughest matchups of the bracket. Nolan also advanced past #5 seed Peter Jackson for King Kong with his #4 seed directing of Inception. Nolan’s opponent comes from easily the biggest surprise of the topic and what we are always excited to see in bracket — a #1 seed vs. #8 seed upset. It came down to a tie-breaking vote, but Alfonso Cuarón, knocked out across the bracket, stayed alive with his Children of Men directing, while David Fincher, for Zodiac, has been eliminated.

Stay tuned for the round 2 results, which will be posted next week on Friday, March 23!

 

Featured image via Warner Bros./Sony Pictures/Marvel.

March Madness of Movies: Introducing the Brackets

Now that it’s March and the NCAA will be hosting its annual March Madness tournament soon, we at MovieMinis thought to have our own tournaments, but, of course, with movies.

In the bracket style of March Madness, we will run through four different topics in what we’re calling the March Madness of Movies.

But rather than stick to general topics, such as Best Superhero Movie or Best Animated Movie, we wanted to get specific, to vote on aspects of film that could potentially make for a much more fascinating tournament.

The four topics we ended up on are:

  • Best A24 Films
  • Best Superhero Villain of the 21st Century
  • Best Big Budget Directing of the 21st Century (cutoff at a $75 million production budget)
  • Best Cinematography Since 2010

In this write-up, we’re introducing the brackets, and in subsequent weeks, we will release the results of each round.

For each bracket, we laid out tons of potential contenders, and after a week of painful voting, we seeded each bracket. We must note that, in working through the seeding process, we were reminded of a terrible reality in the film industry.

In the potential contenders for Best Big Budget Directing of the 21st Century, with a cutoff at a $75 million production budget, there were only nine films directed by women, many of them with male co-directors. Only one ended up making our bracket, certainly not as a representation of talent, but as a magnification and emphasis of the problem. For perspective, there were literally hundreds directed by men, and the men were mostly white. This is a rampant problem in Hollywood. Women and people of color — and above all, women of color — are not only not given many chances, but when they are, failure, in any way, results in horribly unfair consequences; in essence, they’re less likely to get another chance than a white man is. This problem applies to cinematography too. In the potential contenders for that bracket, there was a proportionally similar compilation. While female cinematographers received votes, none made our bracket — again, not as a representation of talent, but as a magnification and emphasis of the problem. Hollywood must change, and part of that change comes from not ignoring the problem anymore. We need more big budget films directed by women and people of color, and we need more films, in general, lensed by women and people of color. We need women and people of color involved in every level of pre-production, production and post-production. For more statistics on female directors of big budget films, read Terry Huang’s piece on The Black List blog.

With that in mind, let’s move into how the brackets shaped up:

Best A24 Films

Perhaps unsurprisingly, Moonlight and Lady Bird earned #1 seeds. Joining them were The Florida Project and A Ghost Story. Those four films will face off against #8 seeds Green RoomMorris From AmericaDe Palma and Menashe.

The next set of top films, the #2 seeds, were Swiss Army Man20th Century WomenThe Lobster and Ex Machina, which will face off against #7 seeds The LoversWhile We’re YoungKrisha and Spring Breakers.

The #3 seeds were a mix of widely awarded films and incredibly acclaimed genre/indie pictures: LockeRoomThe Witch and Good Time. The #6 seeds that they’ll compete against leaned more toward the indie darling: The Spectacular NowThe Bling RingUnder the Skin and Enemy.

Finally, in the middle of the pack were #4 seeds American Honey, Obvious ChildA Most Violent Year and It Comes At Night, as well as #5 seeds AmyThe End of the TourThe Disaster Artist and The Killing of a Sacred Deer.

Best Superhero Villain of the 21st Century

This bracket is made up of four subcategories — MCU villains, DC villains, X-Men villains and villains from other properties — and we pulled eight contenders from each subcategory to compete. Instead of leaving them in their own sections, however, we then mixed them up and seeded from there. And we kept it to just eight per subcategory because it seemed more interesting than a likely lopsided MCU bunch had we not had that limit.

And this bracket is not just about performances. It’s about the villain, the character. That involves the writing and the directing of that character too.

With that said, the first three #1 seeds were rather simple to come to: Heath Ledger’s The Joker from The Dark Knight, Michael B. Jordan’s Erik Killmonger from Black Panther and Ian McKellen’s Erik Lehnsherr/Magneto from X-MenX2 and X-Men: The Last Stand

Perhaps surprisingly to some who dislike the character, our staff showed strong support for Tom Hardy’s Bane from The Dark Knight Rises, who took that final #1 seed.

Those four will take on #8 seeds Kevin Bacon’s Sebastian Shaw from X-Men: First Class, Ed Skrein’s Francis/Ajax from Deadpool, Mark Strong’s Frank D’Amico from Kickass and Kurt Russell’s Ego from Guardians of the Galaxy Vol. 2.

The #2 seeds went to Tom Hiddleston’s Loki from various MCU films, Alfred Molina’s Doc Ock from Spider-Man 2, the other Erik Lehnsherr/Magneto (played by Michael Fassbender) from the most recent X-Men trilogy and the second The Dark Knight inclusion, Aaron Eckhart’s Harvey Dent/Two Face.

The #7 seeds who will battle these four are Zach Galifianakis’ The Joker from The LEGO Batman Movie, Hugh Jackman’s X-24 from Logan, James Franco’s Harry Osborn/New Goblin from Spider-Man 3 and Michael Shannon’s General Zod from Man of Steel.

Two of the #3 seeds went to the last two Captain America films; Daniel Brühl’s Helmut Zemo from Civil War and Sebastian Stan’s The Winter Soldier (not Bucky Barnes) from The Winter Soldier. Liam Neeson’s Ra’s al Ghul from Batman Begins and Jason Lee’s Buddy Pine/Syndrome from The Incredibles earned the other two #3 seeds. 

Competing against them are #6 seeds James Cromwell’s Professor Robert Callaghan from Big Hero 6, Dane DeHaan’s Andrew Detmer from Chronicle, Peter Dinklage’s Bolivar Trask from X-Men: Days of Future Past and the Sentinels that Trask unleashed onto the X-Men, also from X-Men: Days of Future Past.

In the middle of the pack, earning #4 seeds, were Cillian Murphy’s Dr. Jonathan Crane/Scarecrow from the entire The Dark Knight trilogy, Willem Dafoe’s Norman Osborn/Green Goblin from Spider-Man, Samuel L. Jackson’s Mr. Glass from Unbreakable and Andy Serkis’ Ulysses Klaue from Avengers: Age of Ultron and Black Panther. They’ll match up against #5 seeds Hugo Weaving’s Johann Schmidt/Red Skull from Captain America: The First Avenger, Brian Cox’s Col. William Stryker from X2, Michael Keaton’s Adrian Toomes/Vulture from Spider-Man: Homecoming and Jesse Eisenberg’s Lex Luthor from Batman v Superman: Dawn of Justice.

Best Big Budget Directing of the 21st Century

This bracket was split up into four different subcategories. Those were “Superhero Directing” (in the upper left), “Franchise Directing” (in the lower left), “Prestige/Original/Non-Studio Franchise Directing” (in the upper right) and “Animated Directing” (in the lower right). We took some liberties with this. Mad Max: Fury Road is a part of a franchise, but we concluded that it felt more in line with its current group than it would’ve among the franchise contenders.

In Superhero Directing:

Christopher Nolan easily earned a #1 seed; many even believe that he should’ve gotten an Oscar nomination for his efforts on The Dark Knight. He’ll face off against #8 seed Tim Miller for the subversive Deadpool.

Coming in behind Nolan in the #2 seed was Ryan Coogler for Black Panther, a cultural phenomenon that many believe could become the first superhero film nominated for Best Picture.

The #3 seed went to Joe Russo and Anthony Russo for Captain America: Civil War; the Russo brothers also placed in the #7 seed for Captain America: Civil War. James Gunn will take on the Civil War Russos with #6 seed Guardians of the Galaxy.

The middle match-up comes from 2017 films: the #4 seed James Mangold for Logan and the #5 seed Patty Jenkins for Wonder Woman.

In Franchise Directing:

Peter Jackson quite easily snagged the #1 seed for his directing job on The Lord of the Rings: The Return of the King. He’s the only Best Director winner out of five nominated efforts in this bracket. Facing of against him is #8 seed Martin Campbell for the first Daniel Craig James Bond film Casino Royale.

Sam Mendes, director of another Craig Bond film, Skyfall, made the bracket as the #6 seed. He’ll compete with #3 seed Matt Reeves for Dawn of the Planet of the Apes.

Like Bond, Matt Reeves made his subcategory twice, earning the #2 seed for War for the Planet of the Apes. He’ll take on our perhaps surprising Star Wars inclusion, #7 seed Gareth Edwards for Rogue One: A Star Wars Story.

Finally, with some of the most acclaimed films of the subcategory, #4 seed Alfonso Cuarón for Harry Potter and the Prisoner of Azkaban will battle #5 seed Denis Villeneuve for Blade Runner 2049.

In Prestige/Original/Non-Franchise Studio Directing

David Fincher’s Zodiac has become regarded as on the best films, in general, of the 21st century, so he glided into a #1 seed pretty smoothly. But his contender is a tough one: #8 seed Alfonso Cuarón for landmark sci-fi film Children of Men.

George Miller earned the #2 seed for his masterful work on Mad Max: Fury Road, and will face of against legendary director and #7 seed Martin Scorsese for The Wolf of Wall Street.

Scorsese made this subcategory twice, taking the #3 seed for his directing job on The Aviator. His opponent is #6 seed Christopher Nolan for Dunkirk, who also made this subcategory twice, placing as the #4 seed for Inception. He’ll take on #5 seed Peter Jackson for King Kong.

In Animated Directing:

Quite predictably, Pixar dominated this bracket, with #1 seeds Pete Docter and Bob Peterson for Up, #2 seed Brad Bird for The Incredibles, #3 seed Lee Unkrich for Toy Story 3, #4 seed Andrew Stanton for WALL-E, #6 seeds Pete Docter and Ronnie del Carmen for Inside Out and #8 seeds Lee Unkrich and Adrian Molina for Coco.

But other animation directors made it through with their beloved films. Rounding out the eight were #5 seeds Dean DeBlois and Chris Sanders for How to Train Your Dragon, and #7 seeds Ron Clements, John Musker, Don Hall and Chris Williams for Disney’s Moana.

Best Cinematography Since 2010

Even with setting the parameter of cinematography since 2010, there were still an overwhelming number of potential contenders and our votes were widely varied, resulting in a bracket that truly represents a mix of our opinions.

The #1 seeds did stand out, however: Mihai Malaimare Jr.’s lensing of The Master, Andrew Droz Palermo’s work on A Ghost Story, Roger Deakins Oscar-winning efforts on Blade Runner 2049 and Hoyte van Hoytema’s unforgettable photography on Her.

In fact, both Deakins and van Hoytema made this bracket three times. Deakins also earned a #3 seed for Skyfall and a #6 seed for Sicario. van Hoytema’s other two were Christopher Nolan films, a #2 seed for Dunkirk and a #6 seed for Interstellar.

Bradford Young also made this bracket three times, taking a #2 seed for Arrival, a #7 seed for A Most Violent Year and a #8 seed for Mother of George.

But, of course, 3-time Oscar winner Emmanuel Lubezki placed more than everyone with four spots: a #2 seed for The Tree of Life, a #3 seed for Gravity, a #5 seed for The Revenant and a #7 seed for Birdman or (The Unexpected Virtue of Ignorance).

The rest of the bracket is filled with stunning photography. Oscar winner Linus Sandgren earned a #2 seed for his work on La La Land. Other cinematographers of 2016 took spots as well, with James Laxton earning a #4 seed for Moonlight and Rodrigo Prieto earning a #4 seed for Silence.

Work from 2015 films rounded out the #3 seeds: Dick Pope for Mr. Turner and John Seale for Mad Max: Fury Road. The other #4 seeds were Luca Bigazzi for The Great Beauty and Bruno Delbonnel for Inside Llewyn Davis.

While Hoyte van Hoytema may have two Nolan films on this bracket, Nolan’s former cinematographer, Wally Pfister, earned a #5 for his Oscar-winning work on Inception. Rather recent photography also seeded #5: Rob Hardy for Annihilation and Sayombhu Mukdeeprom for Call Me by Your Name.

In fact, a couple of Roberts placed here. Robert D. Yeoman placed in the #6 seed for The Grand Budapest Hotel and the #7 seed for Moonrise Kingdom. Robert Richardson also seeded #6 for Django Unchained, while Robert Elswit was another Paul Thomas Anderson cinematographer to place, earning a #8 seed for Inherent Vice..

Finally, the last few contenders are #7 seed Masanobu Takayanagi for Hostiles, #8 seed Darius Khondji for The Lost City of Z and #8 seed Seamus McGarvey for Godzilla.

 

Follow along throughout March as we vote on these brackets and determine the best of each topic!

 

Featured image via Marvel Studios/Warner Bros./A24.

Hooman Yazdanian’s Favorite Scene of 2017: Coach directing The Tempest — ‘Lady Bird’

In a year full of heartwarming or, alternatively, emotionally devastating scenes, my favorite is not necessarily either one of those. I would argue that it’s probably not even the best in Lady Bird. But it’s without a doubt the funniest scene in any movie, maybe in years.

After the original priest (Stephen McKinley Henderson) who runs plays for Lady Bird’s high school leaves to attend to his mental health, he’s replaced by the ill-equipped JV football coach, Father Walther (Bob Stephenson), who is tasked with directing The Tempest. We get a quick glimpse at what a tough time he’ll have upon his introduction, when he asks the whole cast to take a knee, but he gets his chance to shine at the blackboard, where he stages the play.

Stephenson is excellent at the blackboard, confidently fumbling with what form this should actually take. He’s doing his best — no one will ever say he lacked intensity — but obviously knows he’s out of his element. He has one actor running “a post route” to get to their spot on stage, while drawing lines aggressively to signify it’s time for another actor to be singing.

The camera shows the high schoolers sitting on the floor, vigorously taking notes to jot this all down. The scene is funny immediately — as is the conceit — and, as it keeps going, gets funnier and funnier.

This scene is the only one in Lady Bird that feels a bit absurdist, but the trope of a coach being thrown in charge of something they’re not qualified for is a familiar one. In Mean Girls, it’s Coach Carr teaching health. At my school, it was the wrestling coach suddenly leading an AP Chemistry class for a few weeks. In Lady Bird, it happens to produce the year’s funniest scene.

 

Featured image via A24.

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